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Articles Nov-Dec 2020

Effectron Reinforces Dr. APJ Abdul Kalam College Auditorium with Adamson Sound, Barco Projection and Effectron Lights and Furnishing

The 2000-seat multipurpose auditorium at the Dr. APJ Abdul Kalam Government College in Daman, in August 2020 was installed with an impressive audio architecture from Adamson..... read more

Soundframe Gives LOTD an Exclusive Harman Professional Audio System Finesse

SoundFrame recently outfitted Lord of the Drinks’ Kolkata location with a complete Harman Professional Audio System to provide exceptional audio quality and coverage for its patrons..... read more

Neumann Home Studio Academy India Edition - In Conversation with Meghdeep Bose

Meghdeep Bose is a noted arranger, composer and music producer. In this exclusive interview with PT, Meghdeep talks about his collaboration with Sennheiser and Neumann for the Indian edition..... read more

Acoustics In Auditorium Design - by Vijay Purandare

How a room sounds and feels depends heavily on the specific acoustic properties of the materials in the room. For example, the acoustics of a concert hall are designed..... read more

Acoustic and Audio System Design for Small Rooms- Part 4 - by Rahul Sarma

In Part 3 of the series, Rahul spoke about the science behind absorption and diffusion..... read more


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Studio Technologies Redefines Quality and Flexibility in New Announcer’s Consoles




Studio Technologies has launched a new series of Announcer’s Consoles with DanteAudio-over-IP connectivity, superior audio quality, and a flexible set of features that supports a wide range of live commentary and related applications. The new line of Announcers Consoles includes three products – the Model 232, Model 234, and Model 236. All feature a “pro quality” microphone input circuit, Dante and analog output channels, plus two, four, or six talkback inputs and outputs. Each unit can be easily incorporated into a Dante- or AES67-based network and is compatible with the Dante Domain Manager (DDM) application.

“We designed these units such that they can be used as part of just about any on-air or live-event commentary application,” says Gordon Kapes, President of Studio Technologies. “In addition to their terrific sonic performance, we built-in an incredible number of options that let their performance be easily optimized. We’ve also included some unique, specialized features so they will work very well in REMI/At-home applications.”

The unit’s high-performance microphone preamplifier features selectable gain over a range of 20- to 65-dB with available P48 phantom power. For flexibility, an external source of audio, arriving by way of a Dante receiver (input) channel, can be used instead of the microphone input. This allows devices, such as wireless microphones, to be directly supported. A Dante transmitter (output) channel is provided as the main or “on-air” output. In addition, an analog microphone-level output is available to allow the unit to be integrated with analog inputs on audio consoles or remote I/O interfaces.

A stereo headphone output and associated rotary controls allows a user to create their own monitor mix. Each unit provides two Dante receiver (input) channels, typically used for their program or talent cue (IFB) input sources. In addition, each talkback channel has a Dante receiver (input) channel associated with it. This allows a Model 236 user to create an individual headphone mix from up eight audio inputs channels. In addition, a sidetone function provides the user with a microphone confidence signal.

The unit is housed in a compact, rugged enclosure and provides all the resources required by one announcer or commentator. Two spare connector locations are available on the back panel, allowing installer-implemented options to be created. By simply adding an XLR connector the unit’s remote-control inputs and low-voltage DC tally output can be utilized.

The Studio Technologies’ STController software application is used to configure the capabilities of the Model 232, Model 234, and Model 236. Configuration choices can be viewed and changed in “real time,” as well being saved and recalled as desired.

Many unique functions can be created utilizing high-frequency tones that are well outside of the voice range.

“There are not many applications that these units can’t support,” comments Kapes. “We’ve broken through the concept of the simple ‘talkback box’ by combining high-end audio quality with an extensive set of easy-to-deploy resources. These units simply perform beyond anything we’ve done before – and in a way that should please both engineering managers and on-air talent.”

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