Current Issue : July-August 2024
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Articles July-August 2024

Discover the Best Studio Microphones of 2024 New!

Unlock the full potential of your recordings with the latest studio microphones. This feature highlights exceptional products from leading brands that deliver unparalleled sound quality and durability. Explore the dynamic and condenser options redefining the pro audio market. read more

Upgrade Your Sound: 6 Reasons to Switch to Digital Wireless Microphones New!

From minimising interference to ensuring crystal-clear performance, find out why making the switch from Analogue to Digital can enhance your live shows. Elevate your audio and discover how digital systems offer superior sound quality, intelligent signal management, and hassle-free setup. read more

Phoenix Networks Makes International Debut at Kathmandu Music Festival 2024 New!

Phoenix Networks, in collaboration with Meyer Sound Panther and Leopard systems, celebrates a major milestone with its first international gig at the Kathmandu Music Festival 2024, enhances the vibrant cultural exchange in Nepal. Join us as we explore this landmark achievement and the future of Phoenix Networks on the world stage. read more

Leksa Lighting: Pioneering Professional Lighting Solutions New!

Leksa Lighting Technologies is revolutionizing the professional lighting industry in India with its cutting-edge LED solutions. Ronald Silva D'Souza delves deeper into how the brand is performing in the lighting market and its commitment to the 'Make in India' initiative read more

Shaping the Future of Sound: Meet the IRAA 2024 Jury Panel New!

As the Indian Recording Arts Academy Awards (IRAA) supported by GENELEC, the IRAA Awards continue to recognize outstanding achievements in music production and engineering. This year's esteemed jury panel continue to recognize outstanding achievements in music production and engineering read more

Audio Visual Magic at Lollapalooza India 2024 New!

Lollapalooza India's 2024 edition showcased an eclectic mix of global and local music across four stages. This article highlights the stellar audio-visual setups by Audio Dimensionz on Perry's Stage and ElectroCraft on the Nexa Stage, delivering a truly immersive experience. read more

Panel Discussion on Manufactured Lighting in India New!

A panel of industry experts, moderated by Viraf Pocha, discussed the potential and challenges of advancing 'Make in India' for stage lighting technology with insights from leaders like Ronald Silvan D'Souza, Manoj Lobo, Koy Neminathan, and Arvind Singh. read more

Sound Matters: Taking Noise Off The Menu New!

Hewshott, one of the leading technology, acoustics, and theatre consultants in the world, delivered exceptional spatial experiences at Otra, Kala Ghoda. read more

11 Questions with Christine Schyvinck New!

CEO of Shure, reflects on her 35-year journey with the company and discusses her vision for the audio technology giant. read more

Canara Lighting Completes Landmark Installation at India International Convention & Exhibition Centre (IICC), Yashobhoomi New!

Canara Lighting successfully completed a significant project at the India International Convention & Exhibition Centre (IICC), Yashobhoomi, in Dwarka, New Delhi. read more

Celebrating 22 Years of Innovation and Industry Leadership in India's Live Events Sector New!

The 22nd edition of PALM Expo, held from May 30 to June 1, 2024, at the Bombay Exhibition Centre in Mumbai, saw a record-breaking 25,510 unique visitors and was a massive success. Spanning 30,000 sqm, the expo showcased the latest in live events, media, and entertainment technology, with electrifying performances and cutting-edge industry insights. read more


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Difference between live sound engineering and Studio Engineering

This is a topic on which I get a lot of queries, hence thought to write down my views about it. In SoundideaZ academy we regularly get this query about what is the difference between Live Sound engineering and Studio Sound engineering, Students for sound engineering need guidance to choose the right faculty.

Studio Sound Engineering
Lets discuss what is Studio Sound engineering.

You have a well-designed acoustic space, which is an ideal environment for you to take the right decisions for your recording or mix. You invite musicians and vocalists to come here and record. The studio is acoustically designed isolated space. You ideally have no issues with external sounds leaking in your studio. The spectral balance of the control room as well as the dubbing room is pre designed.

The power supply for both the rooms is well filtered and regulated. The power connections in this studio are well distributed with respect to equipment load.

The equipments installed in the studio are ordered with deep research. The cabling of these equipments are done through patch panels and utmost care is taken for laying cables, so that it does not catch the interference from power cables.

The monitor speakers are correctly mounted and are tuned according to the control room response. A proper calibration process is followed while the studio is commissioned. There generally are two sets of speakers, one is far field and one is near field, depending on the size of the control room.


Hence whatever audio is recorded or played back there is heard in an ideal environment. The sound engineer is the one who is sitting at the sweet spot in the studio and judging the sound and taking decisions. There is no audience per say in the studio; the only people involved would be the Music composer and the producer.

The ability to understand the studio environment and adjust to it allows the engineer to take the right decision. Whatever decisions are taken there is reflected in the mix created in that room. It’s the engineer’s responsibility to ensure that his mix translates exactly on any audio system in the world. It’s very rare to say that it translates exactly, but yes it can up to 90%. It’s a very artistic job to ensure that what you hear in the studio exactly translates out.


• Now about the engineer. The expertise needed for the studio engineer is a completely different skillset than needed for a live sound engineer.
• The studio engineer normally listens to the audio in a soft volume level.
• He has enough time to take his decisions compared to the live sound engineer.
• He can take and discuss his decisions with the music composer and producer
• He can transfer his mixes and go out and listen to them in different systems.
• He still has scope for doing corrections.
In the next issue we will discuss live sound engineer.
Current Issue : July-August 2024
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