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Articles September - October 2023

Capturing The True Essence Of Sound New!

From Lewitt Audio's Pure Tube Microphone to Sennheiser's Profile USB Microphone, these studio microphones offer precise audio quality to the users and deliver crisp, clear sound. read more

Articles September - October 2023

Photo Feature: Studio Showcase New!

From A.R. Rahman's studio in Mumbai to composer Raag Sethi's first Dolby-compliant studio in Gujarat, PALM Expo Magazine's Studio Showcase features the latest studios in India. read more

Articles September - October 2023

Mastering The Art Of Sound With Donal Whelan New!

Whelan talks to the PALM Expo Magazine Team and discusses his foray into the world of mastering, his unique experience at the PALM Conference 2023, and more. read more

Articles September - October 2023

Nx Audio Celebrates Two Decades Of Pro Audio Journey New!

Nx Audio completes 20 years of delivering pro audio products for the Indian pro sound industry. Read about Nx Audio's journey over the last two decades. read more

Articles September - October 2023

Mumbai Studio Explores New Verticals With Genelec Monitors New!

The combination of Genelec Smart Active Monitors and digital audio interface delivered an ideal monitoring solution for BOING Recording Studios. read more

Articles September - October 2023

IRAA Awards 2023: Jury Reflections New!

Read about IRAA Jury's perspective on the bigger questions in the music industry - AI for music production, the status of mega consoles, & emerging trends in sound recording & mixing. read more

Articles September - October 2023

Gray Spark Audio Opens New Studio For Academy Students New!

PALM Expo Magazine Team talks to Ronak Runwal to explore how the newly-designed Studio D is poised to become a recording haven for the academy students. read more

Articles September - October 2023

Firdaus Studio: Building A Sonic Paradise For Recording Artists New!

The Firdaus Studio by A.R. Rahman stands as a beacon of innovation in the music production industry. PALM Expo Magazine explores the making of the musical maestro's magnus opus in the recording landscape. read more

Articles September - October 2023

Naveen Deshpande Elevates Stand-Up Comedy with Bespoke Lighting Designs New!

Naveen Deshpande, a renowned lighting designer, made heads turn through his recent collaboration with India's leading stand-up comedian, Zakir Khan, during the latter's international tour. read more


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ELC debuts new signal distribution concept



DMX control specialist ELC Lighting has launched the DLN8GBXSL eight-port slave node, a new concept designed “to revolutionize ethernet/DMX network distribution”.

The DLN8GBXSL serves as a substitute for a DMX splitter rack, where all DMX ports are fully programmable as output, input, merge, backup and more, as node ports. This slave node forms part of the ELC GBX Distribution System, of which the dmXLAN switch (GBx10 or GBx18) is the backbone. This switch is the master, and up to 15 slave units can be daisy chained via the ethernet ports. The system supports all open protocols including sACN, Art-Net and ShowNET.

When connected, and loaded with ELC’s advanced dmXLAN software, the system transforms how DMX can be distributed from an ethernet network. It is specifically tailored for live entertainment applications where a mixture of data protocols would overload and saturate commercially-available network switches. The system utilises standard ethernet protocols and DMX.

“The ethernet part stays the same, but the idea is that if you usually have one node, and on each port of the node you connect a splitter, you end up with a rack where each splitter can do only one thing - repeat on eight or 10 ports,” explains ELC’s sales manager, Silvio Cibien. “Ideally, we would like to have the node instead of splitters, so each DMX port is used for programming, digital patching, the merging that you like, channel by channel. However, this can be very expensive.

“Therefore, ELC has created this new system, which allows the user to have a splitter that offers all of the features and flexibility of a node. This means that each port can again be programmed as if it was a node, because in essence it is now a node. By that, I mean that the control and programming are both in a switch. You can programme channel by channel, softpatch, decide what kind of merge; in triple universe merging you can make your own digital pattern, programming each channel of each port.

“And because the DLN8GBX8SL slave node is priced at the same level as a good splitter, for the price of a splitter rack (1 Switch, 1 Node, and perhaps 10 splitters) you will have a rack where all DMX ports are node ports.”

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