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Articles Nov-Dec 2022

Dialing it up: Ashish Saksena on how Monitor Mixing can Elevate a PerformanceNew!

What does it take to create a technically accurate monitor mix and put the stage performance on a pedestal? Ashish Saksena, Live Sound Engineer for Shankar Ehsaan Loy & Late KK, spills the beans on crafting a good monitor mix in PALM + AV-ICN conference session titled, 'How Good Monitor Mixing Can Boost A Performance.'read more

Articles Nov-Dec 2022

Revisiting Guwahati's Glorious Past: Tricolor India Schauspiel Delivers Assam's First 3D Projection Mapping at Gandhi Mandap Memorial MuseumNew!

PALM + AV-ICN spoke to Himanshu Singh Sabharwal, Creative Director, Tricolor India Schauspiel, to explore how the company illuminated The Ray of the East at Gandhi Mandap Memorial Museum to celebrate Assam's history, heritage, and culture at its finest.read more

Articles Nov-Dec 2022

Indian AV Specialist Certification CourseNew!

The AV Industry participated in CAVS first two course editions in Mumbai. Third CAVS course is scheduled to be held in Ahmedabad in March 2023. PALM AV-ICN magazine interviewed the promoter and founder of CAVS in India, Anil Chopra to understand the credibility, validity and legitimacy of AV-ICN's CAVS certification.read more

Articles Nov-Dec 2022

Are Lamp Projectors Slowly Becoming Obsolete?New!

Gone are the days of worrying about the lamp projector fizzling out, requiring bi-annual lamp replacement. With lamp-free projectors, LED projectors, and laser projectors, the time has come for uninterrupted projection to crystallize. But, does that mean no one needs a lamp projectors anymore? In this article, Pooja Shah, Editorial Assistant, PALM + AV-ICN, reports on the viability of a lamp projector.read more

Articles Sep-Oct 2022

Compass Box Studio's Raag Sethi Elevates His Recordings with Audient iD14 and ASP800 New!

Ahmedabad-based Raag Sethi is a man of many talents. He is a music producer, a music composer, an engineer, bassist, and guitarist with his own studio, named Compass Box Studio. Having collaborated on one-take, live sessions with renowned artists, musicians, and labels, Raag Sethi understands the gravitas behind working with the best-in-class sound equipment. read more

Articles Sep-Oct 2022

In Conversation with Krishna Tripathi, NEC at InfoComm India 2022 New!

Krishna Tripathi, General Manager, Display Solutions, NEC Corporation India Private Limited, joins Anil Chopra, Founding Director, PALM AV-ICN, for a quick conversation, where he talks about fail-safe display solutions for mission-critical applications, the rise of Micro LED and DVLED, and the revolutionary products on display at the NEC Booth at InfoComm India 2022. read more

Articles Sep-Oct 2022

Colour And Sound As Healing New!

How is the New Normal treating you? How different is yours from your Old Normal? Crazier and more stressful? It's said that if you have a normal life, 30 minutes of meditation and self-reflection is a healthy tonic. If, however you are super busy and lead particularly stressful lives, you need at least 60 minutes of the same. To uncross the tangled wires and cluttered messages inside your head. On one side they tell me that if you don't sleep enough - you will die. Now another hour wasted on meditation. Tell that to my boss / client who demands 25 hours a day.read more

Articles Sep-Oct 2022

Sound, Uninterrupted Six Pendant Speakers to invest in this yearNew!

From Yamaha to JBL and Extron to Bose, pendant speakers have reimagined, restructured, and revolutionized sound in commercial spaces. PALM AV-ICN reports on the six investment-worthy pendant speakers from the AV industry.read more

Articles Sept-Oct 2022

Roger Drego on Creating Fail-Proof Sound for Mega Live Events New!

In a session titled 'Performance Guarantee of Mega Scale Live Sound Projects', Roger Drego, Managing Director, Electrocraft, took to the stage at PALM Conference 2022 to share invaluable challenges and insights with regards to guaranteeing fail-proof sound reinforcement during showtime. read more

Articles Sept-Oct 2022

Bringing Futuristic AV Ideas To Life New!

MMRDA, responsible for promoting, monitoring, and developing various sectors in Maharashtra, including, but not limited to transport, housing, water supply and more, entrusted EYTE to revamp and upgrade Wadala Monorail Depot's Boardroom with state-of-the-art AV infrastructure. Abdul Waheed, Managing Director, EYTE Technologies Pvt Ltd, in conversation with PALM Technology, reveals how his team transformed the visage and acoustics of the boardroom and managed to execute the impossible feat in a matter of seven days. read more

Articles Sept-Oct 2022

Exploring the Dynamics of India's Pro AV market with Renkus-HeinzNew!

Renkus-Heinz is a professional loudspeaker company known for its innovative technology that redefines sound to empower its audience. PALM+AV-ICN got in touch with Karan Kathuria, Renkus-Heinz's Director of Sales and Business Development, Asia, Oceania and SAARC, to learn more about the company's plans for India and its strategy to stimulate growth across different verticals.read more

Articles Sept-Oct 2022

7 New Trends in AV Conferencing to look out for this year New!

From augmented meetings and interactive whiteboards to LED video walls and seamless acoustics - Pooja Shah, Editorial Assistant at PALM AV-ICN, reports a comprehensive roundup of the biggest AV conferencing trends to keep an eye out for in 2022. read more

Articles July-Aug 2022

IRAA 2021 Winners Felicitation New!

The IRAA 2021 winners were felicitated at the PALM expo on 28th May 2022 in the presence of Jury members. Check out the pics here. Nominations for IRAA 2022 close on 30th October so hurry and send in your nominations now! read more

Articles July-Aug 2022

PALM AV-ICN Expo 2022 - Glimpses & HighlightsNew!

The PALM AV-ICN Expo 2022, held from May 26 - May 28, 2022 at Bombay Exhibition Centre in Mumbai, witnessed 20,000+ unique visitors from the world of pro audio, display, lighting, and integration. Take a look at the three-day expo's glimpses. read more

Articles July-Aug 2022

HARMAN Live Arena dazzles with a range of latest audio and lighting gearNew!

The HARMAN Live Arena one of the most popular demo features at the PALM Expo entered its 11th year. The Live Arena facilitates live demonstrations of advanced sound and lighting systems, through three-day live musical performances, featuring popular and budding artists and bands from the country's independent music scene.read more

Articles July-Aug 2022

CAVS (Certified AV Specialist) Course returns for its second consecutive editionNew!

The ethos of CAVS is to provide an independent neutral education forum suited to Indian AV ecosystem to gain their commitment to a future career in AV as a technician and join an integration team on par. AV professionals in India were imparted basic knowledge of AV from May 26 - May 28, 2022 at the CAVS three-day training.read more

Articles July-Aug 2022

PALM AV-ICN Conference & SeminarNew!

Curated by PALM AV-ICN magazine, the PALM Conference & Seminar was the optimum learning and networking platform for attendees, where the best talent and top-notch professionals from the country shared their expertise, skills and knowledge. read more

Articles July-Aug 2022

High Quality Attendance At Palm & Av-Icn Expo 2022New!

The professional sound, professional display, professional lighting and integration market of importers, distributors, dealers and actual users congregated in full strength at the BEC, Mumbai, to witness the largest display of product range from top global brands, sourcing millions of dollars inventory for distribution and rental.... read more

Articles July-Aug 2022

IRAA strikes an energetic progress path with new chiefNew!

K.J. Singh recording engineer of brave new-gen albums is a spirited veteran deeply involved with Indian recording arts and professionals. The entire jury of IRAA after years is now entirely fresh, newly appointed by KJ... read more

Articles July-Aug 2022

Attendees to PALM & AV-ICN Expo 2022New!

PALM AV-ICN 2022 proved to be far busier and well attended than expected. Who exactly attends and exhibits at India's foremost audio, lighting, and audiovisual technology expo? Read on for detailed breakdown of the attendee figures... read more

Articles July-Aug 2022

Chopra's Keynote Pushes For Indian Manufacturing, Indian BrandsNew!

The 20th PALM Convention Keynote address by Founding Director Anil Chopra gave a clarion call for major investment into manufacturing pro audio, pro lighting and pro AV hardware in India... read more

Articles July-Aug 2022

What to expect from NEC at InfoComm India 2022New!

Joining PALM AV-ICN for a quick interview is Krishna Tripathi, General Manager, Display Solutions, NEC Corporation India Private Limited, wherein he elaborates on the exciting products attendees will be able to witness at the NEC Booth E20 at InfoComm India... read more


Show More

Touring Consoles

Large-Format Digital Consoles PART II


Part II of PALM technology’s focus on Live Consoles, lines-up some more noteworthy desks in the market which exhibit striking capabilities and state-of-the-art technology. PART I which presented consoles from manufacturers like HARMAN, SSL, AVID, DIGICO was featured in the Jan-Feb 2017 edition of the magazine. Those of our readers who missed it can access it through the “product focus” section on palmtechnology.in

Yamaha Rivage PM10


Yamaha’s PM1D and PM5D digital mixers have been a mainstay of large scale live productions throughout the world for more than a decade - be they touring live music, festivals, theatre, musicals, dance, municipal or corporate events. Bringing yet greater levels of quality, flexibility, functionality and reliability to the iconic PM name, the RIVAGE PM10 is a brand new flagship which again redefines the direction of the digital audio mixing industry.

Ever since Yamaha’s first professional live sound console was released more than 40 years ago, the PM series has been the fertile ground from which numerous significant sound reinforcement milestones have grown. Many of those innovations have become standard tools that professionals depend on to this day. The RIVAGE PM10 launched a new generation of PM consoles that continues to evolve as new software and hardware are rolled out. In terms of sound quality, operation, functionality, reliability, expandability, and more, the RIVAGE PM10 is a thoroughly refined flagship that defines the direction for future generations. It is a worthy heir to the PM name that brings true innovation to the developing live sound scene.

Main Features include:

• The new hybrid microphone preamps at the input stage of the PM10 help create a solid foundation of sound for crisp clear sound. The hybrid mic preamp features the great sound of analogue thanks to its mechanical construction and the parts picked to make it up, everything about the preamp has been reviewed to make sure the best sound is attained.
• Another vital factor contributing to the great sound of the hybrid microphone preamplifier is its digital stage. The transformer circuitry and SILK processing incorporated in high-end analogue devices from Rupert Neve Designs, designed by the legendary Rupert Neve himself, have been precisely modelled using original Yamaha VCM (Virtual Circuitry Modelling) technology. These preamplifiers are available for use on all RIVAGE PM10 input channels.
• The PM10 has been designed with operability in mind, as with all Yamaha consoles. With the PM10 Yamaha have worked to take their already well designed interface and extend its operability with new time saving and efficient features. As with most Yamaha consoles, the PM10 features Yamaha’s industry standard select channel concept, providing direct access to parameters of any channel via its select key. The PM10 also features a merged touch screen and fader strip which allows for intuitive changes and editing on the fly as well as facilitating 2-man operation.
• Yamaha’s new console is fit for use in a number of solutions, whether it is for live sound in a venue or in a house of worship. The new features make this a high end option that offers extremely clear sound and a high level of flexibility and control. The PM10 is a fitting flagship model for Yamaha and a worthy addition to the PM range.

Tech Specifications:

Mixing Capacity: 44.1/48/88.2/96 kHz; 144 input channels, 72 Mix buses, 36 Matrix buses; Stereo buses A and B (or Mono bus), Cue A/B, Monitor A/B

Input Channel: A/B, Gain Compensation, Digital Gain, HPF, LPF, 4-band PEQ, 2 Dynamics, Delay, 2 insert points (x4 daisy-chain), Direct Out

Output Channel: HPF, LPF, 8-band PEQ, Dynamics, Delay (on channel and port), 2 insert points (x4 daisy-chain)

Scene Memory: Number of scenes: 1000; Functions: Recall Safe, Focus Recall, Fade Time, Preview, Overlay Filter, Isolate

DCA/Mute Group: 24 DCAs, 12 Mute Groups

Plug-ins: 384 plug-in slots (The maximum number of plug-ins used at a time varies depending on the plug-in types); 45 types of plug-ins

GEQ/PEQ: 48 racks (96 for Flex15GEQ and 8-band PEQ); 31-band GEQ, Flex15GEQ, 8-band PEQ

Recording: 2-track USB recording (MP3 and WAV); Multitrack recording and Virtual Soundcheck via Dante (option)

I/O Network (TWINLANe)
400 channels @ 44.1/48/88.2/96 kHz, 32-bit

Network latency: 11 samples at 44.1/48 kHz, 12 samples at 88.2/96 kHz

Topology: ring for network redundancy

Recommended cable: Neutrik opticalCON DUO multimode fiber (HY256-TL) or Neutrik opticalCON DUO singlemode fiber (HY256-TL-SMF)

Midas PRO X-CC-IP

The MIDAS PRO Series family moves up a gear with the PRO X control centre and the industry-changing NEUTRON Audio System Engine. Featuring 168 simultaneous input channels and 99 time-aligned and phase-coherent mix buses, the PRO X sets a new performance benchmark in high-profile live sound applications and is a truly impressive digital control surface for the engineer whose very livelihood depends on both unparalleled functionality and reliability. Like all PRO Series consoles, the PRO X features managed latency and 40 bit floating point processing precision.

Main Features include:

• Live performance digital console control centre with up to 168 simultaneous inputs
• 99 time-aligned and phase-coherent mix buses
• HyperMAC and AES50 networking allows up to 288 inputs and 294 outputs @ 96 kHz Sample Rate
• HyperMAC router with 192 bidirectional channels over copper and optical fibre
• Provides dual redundant snake connection to the NEUTRON Audio System Engine
• Snake connections up to 500 m with optical fibre or 100 m with CAT5/5e cable
• 10 VCA (variable control association) and 8 POPulation groups
• Up to 36 assignable 1/3 octave KLARK TEKNIK DN370 graphic equalisers
• Up to 24 simultaneous internal multi-channel effects
• 29 MIDAS PRO motorised 100 mm faders
• 2 daylight viewable 15” full colour TFT display screens
• Fully interpolated touch sensitive controls
• Optional wireless remote control with MIDAS MIXTENDER App for iPad*
• Three bay auto-ranging universal switch-mode power supply with N+1 redundancy.

Tech Specifications:

Sampling rate: 96kHz
Latency delay: <2 ms (Input to Master output with no latency compensation)
Dynamic range: 110 dB, 22 Hz to 22 kHz
Maximum voltage gain: 80 dB, Inputs to Subgroups and Masters 86 dB, Inputs to Aux and Matrix
Crosstalk: -100 dB physically adjacent input channels
Fader/pan cut off: -100 dB
Frequency Response: 0 dB to -1.0 dB, 20 Hz to 20 kHz
Gain Error @ 1kHz: ±1.0 dB
Input CMRR: 0 dB gain: -80 dB; +40 dB gain: -90 dB
Distortion @ 0 dBu: 0 dB gain: 0.01%; +40 dB gain: 0.03%
Distortion @ +20 dBu: 0 dB gain: 0.03%; +40 dB gain: 0.03%
Noise Floor: 0 dB gain: -89 dBu, 22 Hz to 22 kHz (unweighted); +40 dB gain: -87 dBu, 22 Hz to 22 kHz (unweighted)
Dynamic Range: 0 dB gain: 110 dB, 22 Hz to 22 kHz (unweighted); +40 dB gain: 108 dB, 22 Hz to 22 kHz (unweighted)
Dimensions: 1365 mm wide x 940 mm deep x 434 mm high (53.7” x 37.0” x 17.1”)
Net weight: 120 kg (264 lbs)

Studer Vista 1 Black Edition

Vista 1 is the all-in-one compact, flexible mix system for live, broadcast and production.

Designed to pack everything you need within a single compact console, Vista 1 Black Edition combines an industry-leading Studer control surface with advanced DSP, fully-configurable I/O and redundant power supplies - all in one unit.

Vista 1’s powerful feature set and flexible I/O configurations mean it can handle the widest range of applications, from OB and ENG vans, to small studios, to mobile productions where the console needs to be moved frequently.

Ready for easy integration with AoIP networks and expandable via Studer’s D21m system and the Compact Stage Boxes, Vista 1 Black Edition is a cost-effective, future-proof console ready for anything that gets thrown its way...

Main Features include:

• 32 or 22 motorised faders, with Studer FaderGlow
• Up to 256 Inputs and Outputs
- Standard configuration (32 Mic/line In, 32 Line Out, 8 AES In & Out) can be customised
- Desk operator headphone
- USB jingle player socket
- Integral 64x64 optical MADI port
- Slots for additional D21m I/O cards (one double-width or two single-width cards), such as AoIP (AES67/Dante, Livewire), Dual-MADI, AES/EBU, ADAT, TDIF, CobraNet®, Aviom A-Net®, Dolby® E/Digital, SDI, etc.
• 96 DSP channels, including 5.1 surround channels
• Powerful integrated Lexicon FX
• Soundcraft Realtime Rack Plug-in engine
• True broadcast monitoring, talkback, red light control and 8 general-purpose control inputs/outputs (GPIO)
• Input level and gain reduction LED bargraph meter in every fader strip
• Optional TFT-Meter Bridge
• 6 high-resolution VFD master level meters
• Full mix-minus (n–x) system for live two way operations
• Vista data format compatibility for easy transfer of console snapshots between different Vista consoles
• Integrated jingle player for immediate playback of 8 different station identifier clips, background FX or other audio files from a jingle stick/USB memory device
• Studer Virtual Vista Online/offline editor
• Snapshot automation
• Outstanding Theatre CUE list automation
• Support for the Studer Vista Compact Remote Bay over Ethernet or even WLAN
• Harman HiQnet support for controlling other Harman devices
• Ember and Pro-Bel protocol support for use with broadcast/ newsroom automation systems
• Redundant PSU
• Studer’s RELINK input/output sharing system allows sharing inputs and outputs with other Studer Vista and OnAir consoles
• Support for the whole Studer stagebox range via a MADI link, such as the 4U Studer Compact Stagebox
• The system can be extended by using additional Studer D21m I/O frames accepting cards from the comprehensive D21m I/O system programme.

Allen & Heath GLD-112

GLD-112 is a larger version of the popular GLD-80 mixer, with an extra bank of 8 control strips, increasing the channel count to 28 fader strips in 4 layers.

GLD is a user-friendly, cost effective and scalable live digital mixing system, conceptually based on the hugely successful digital iLive series. Plug n’ play I/O expanders make it easy to build systems with up to 48 mic inputs, supported by a full suite of apps, software and personal monitoring solutions.

GLD-112 provides 48 input processing channels, 8 stereo FX returns fed by the FX emulations, 30 configurable buses, 20 mix processing channels, and DSP power to provide full processing without compromise.

Now in a new GLD Chrome Edition, with sleek new styling, Automatic Mic Mixing, new embedded plugin FX and new compressor models on all channels.

Main features include:

• Compact digital mixer with scalable, remote I/O
• Systems from 4 to 48 mics
• Easy to use, quick to access, analogue style interface
• dSNAKE Cat5 digital snake—up to 120m cable length
• 8.4 inch colour touchscreen for graphical view and setup
• 28 faders, 4 layers, 112 channel strips in a freely customizable layout
• 48 input channels into 30 assignable buses (Aux, Group, Matrix, Main, FX Send) into 20 mix outputs
• 8 stereo RackFX engines with dedicated ‘short’ returns with 4-band PEQ
• Full processing on all inputs including trim, polarity, HPF, insert, gate, 4-band PEQ, compressor and delay
• Full processing on all outputs including insert, PEQ, GEQ, compressor and delay
• Deep processing embedded plugins including GEQ and compressor models
• Automatic Mic Mixer with up to 44 microphone sources
• LR, None (monitors), LR+M (sum), LR+M (bus), LCR main mix modes
• USB stereo recording and playback
• 16 DCAs / mute groups
• Built-in Talkback, RTA and Signal Generator
• I/O module options for FOH/Monitor split, multitrack recording, link to iLive and more
• MIDI In/Out and Ethernet Network port
• Compatible with ME Personal Mixing System
• High end 1dB step recallable mic/line preamps
• User definable channel names and colours
• Engineer’s mono Wedge and stereo IEM strips
• Input, output and insert soft patchbays
• Quick copy, paste and reset of mixes and parameters
• Libraries, Scenes and Show memories with USB transfer
• Scene Filters, crossfades and automated recalls
• Get started quickly with Template Shows
• Password protectable user profiles

Lawo – mc36

Easy - versatile - reliable. The mc²36 is the German company’s first all-in-one console, designed for maximum ease-of-use. The compact size, in-built DSP and I/0 make the console equally perfect for permanent installations with limited space and rental companies’ transportation demands. The mc²36 is a universal console, providing a comprehensive feature set for broadcast, theater, house of worship, live and install applications. To make this possible, Lawo has optimized its features to provide benefits not only for one application, but for all. The one common factor is that everything is opt.

Main features include:

• Ready for the road: Only one flightcase is required for console, DSP core and I/0. ln addition to the German quality chassis and electronics, the mc² 36 can be ordered in a heavy-duty flightcase version ready for the road. But it’s not just the hardware factors that make the mc²36 a perfect choice for rental companies – features like saving and loading configurations and show files easily via USB sticks are especially valuable in the rental and touring business, where several consoles and users might be involved.
• Onboard I/0: The Lawo mc²36 features integrated input and output connectivity to meet for a broad range of broadcast and install applications, as well as FOH and monitoring. The 32 Lawo microphone preamps are identical with those found on Lawo’s renowned 941/55 microphone card for DALLIS systems, providing an extremely linear frequency response of only 0.03dB between 20Hz and 20kHz and an unbelievably low THD of 0.0006%.
• I/0 Overview: 32 Mic/Line inputs; 32 Line outputs; 8 digital AES3 inputs; 8 digital AES3 outputs; 8 GPIO; 1 MADI (SFP); 3 RAVENNA I AES67; 1 Headphone
• ln addition to the onboard inputs and outputs, a MADI tie-line connection and three RAVENNA/AES67 Audio-over-IP ports provide future-proof connectivity for up to 384 external inputs and outputs, resulting in a total capacity of 496 physical inputs and outputs. The mc²36 is fully prepared for intelligent networking with other mc²36/56/66 consoles. lt can also be operated in combination with Lawo Nova audio routers, giving instant access to thousands of audio channels. Lawo mc² consoles provide intelligent mechanisms, including user-right management to allow input sharing between several consoles.
• The Lawo mc²36 features a new, integrated DSP micro-core with an internal 512x512 port audio matrix. lt is super-compact and optimized for low power consumption using inaudible, low-spinning fans for cooling. This is especially important in environments such as concert halls, where fan noise is obtrusive.

Tech Specifications:

Control Panel: Frames with 16, 24 and 40 faders; Six banks each with 2 layers; 100 mm fader + 1 freely assignable rotary knob + channel display for each fader with sensetriggered pop-up displays for modules
TFT metering: mono, stereo or up to 7.1 including bus assignment, gain reduction for dynamics, AfV status, VCA assignment, mix-minus; GUI page output, e.g. metering, on an external monitor; Eight central user buttons.
Signal Processing: • 40-bit floating point
• Up to 184 inputs with A/B input, up to 32 sub-groups, 32 aux sends, up to 32 track buses, up to 16 main sums
• Rapid switching of channel and bus to mono / stereo / surround
• Up to 24 surround channels, 128 VCA groups with metering, 256 GPC channels
• Surround formats: DTS / Dolby Digital 5.1, Dolby Pro Logic 4.0, DTS ES / Dolby EX 6.1, SDDS 7.1, DTS-HD 7.1, diverse panning characteristics, surround aux bus
• Two AFL: 1 surround 8-channel, 1 stereo
• Two PFL stereo
• Audio-follow-Video with 128 events, control via Remote MNOPL, Ember+, GPI or matrix connection, envelope up to 10s fade time
• Solo In Place
• Permanent input meter beside fader, adjustable INPUT, PF, AF, DIROUT meter point in channel display
• Loudness Metering according to EBU R128 and ATSC A/85, momentary or short term in every channel, integrated measurement on sum channels with display of integrated LUFS value in headline.
• Modules: INMIX with MS decoder, digital amp, 2-band fully parametric filter, 4-band fully parametric EQ, 2-band fully parametric side-chain filter, insert, delay up to 1800 ms – switchable units: meters, milliseconds, frames, 4 independent dynamic modules: expander, gate, compressor, limiter, image, meter, direct out
• AMBIT Upmix, available on every 5.1 channel, fully Downmix compatible
• Inline configuration with send / return switching — per channel or global
• Fully-equipped surround channel with coupling of all channel parameters and hyperpanning
• Dimensions: Height: 5RU / 220 mm / 8,7”; Width: 482,6 mm / 19


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