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Articles Jan-Feb 2023

Creating State-of-the-Art AUDIOVISUAL Experiences Surrounding The Statue of Unity New!

In PALM + AV-ICN's conference session titled 'AV Architect of the Year', Narendra Naidu, Chairman and MD, Rhino Engineers, talks about rendering jaw-dropping audiovisual technology for Gujarat's Statue of Unity and several other projects situated in its periphery... read more

Articles Jan-Feb 2023

Udaipur City Palace Comes Alive with Splat Studio & Dataton New!

Splat Studio makes use of Dataton's Watchout software to highlight India's culture and heritage on the palace's facade

The G20 Sherpa Meet in Udaipur, India witnessed a congregation of world leaders, who partook in key conversations on sustainable lifestyle, technological transformations, and more. The City of Lakes - the host of the G20 Sherpa Meet... read more

Articles Jan-Feb 2023

AV Innovations Galore at ISE Barcelona 2023 New!

ISE Barcelona 2023, held from January 31 - February 3, 2023 in Barcelona, Spain, witnessed a record-breaking footfall over the four-day show. Clocking in at 58,107 unique attendees from 155 countries around the world, the ISE Barcelona 2023 not only gave the global AV industry a much-needed push in the right direction after the two-year long COVID-19 pandemic... read more

Articles Jan-Feb 2023

BRINGING SOUND TO LIFE: Ashish Saksena on his Love & Passion for Live Sound Mixing New!

With more than 25 years of experience as a live sound engineer for musical stalwarts such as Shankar Ehsaan Loy and KK, Ashish Saksena has forged his craftsmanship with technical acumen in monitor mixing and Front of House mixing. But his expertise in sound engineering isn't restricted to the live stage. Even in the studio, Ashish knows how to make the mix dance to his own tunes. read more

Articles Nov-Dec 2022

Leading with LED New!

PALM + AV-ICN reports on the latest popular, reliable, and cost-effective LED video walls available in the Indian pro AV industry today. From Barco's TruePix to NEC E Series, these indoor LED video walls are here to change the conferencing game in the long run. read more

Articles Nov-Dec 2022

An 'AV'ant-Garde Fusion of Nature & Technology New!

Gujarat has always been a home to the greatest minds who believe in the concept of 'simple living, high thinking'. Be it Mohandas Karamchand Gandhi, Sardar Vallabh Bhai Patel, and India's current Prime Minister,Narendra Modi - these individuals have been a testimony to how a human being... read more

Articles Nov-Dec 2022

Active LED Video Walls - Demystifying The AV Enigma by Abdul Waheed, CTS, Managing Director, EYTE Technologies Pvt. Ltd. New!

The ever changing video market is reaching new heights with active LED video walls. From projection to plasma displays; LCD to LED, the continuous journey for large size display wall is always challenging. The indirect light of projection system, to the thick breaking lines of Bezel in LCD and LED is always disturbing the impact of the high resolution content. The cost of Micro LED panels and the alignment issues didn't allow it to be a success. read more

Articles Nov-Dec 2022

On Delivering Quality Mega Scale AV Projects in India New!

The PALM + AV-ICN conference session witnessed a panel of AV experts, Prashanth Govindhan, Claron D'souza, Abdul Waheed, and Kapil Thirwani sit for a dialogue on the evolution of Indian AV industry, how it differs from AV industries in other countries, and how moral is the concept of jugaad in the Indian AV sphere. In this article, read the highlights of the talk. read more

Articles Nov-Dec 2022

Mondosonic Studios' Varun Krrishna on Preferring Analog-Over-Digital SetupNew!

Varun Krrishna is not just a mixing engineer and music producer out of profession, but also out of passion. With an ardent love for music, Varun Krrishna is also the founder and owner of Mondosonic Studios in Kerala, a space he has built for music to breathe free. So, it isn’t a surprise that the man of music is always in a quest to stay abreast with the latest trends in the world of acoustics, and knows just how big the spatial audio boom is. To encapsulate the essence of spatial sound, Varun Krrishna is upgrading Mondosonic Studios with an extension for spatial audio. read more

Articles Nov-Dec 2022

Dialing it up: Ashish Saksena on how Monitor Mixing can Elevate a PerformanceNew!

What does it take to create a technically accurate monitor mix and put the stage performance on a pedestal? Ashish Saksena, Live Sound Engineer for Shankar Ehsaan Loy & Late KK, spills the beans on crafting a good monitor mix in PALM + AV-ICN conference session titled, 'How Good Monitor Mixing Can Boost A Performance.'read more


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Touring Console

Stage Sound Managers


For any live setup the requirements are many and varied and typically include mic, line and instrument sources etc. But whether the setup is simple or complex, live console is always the heart of any stage show. The ideal console offers maximum flexibility, efficiency and control, making it easy to mix any type of performance. This product focus lines up five latest small or large format live consoles launched in 2018. This section does not endorse any product and is intended as a guide for future purchase.

Allen & Heath SQ-7


SQ-7 is the 33-fader flagship console in the SQ series, powered by Allen & Heath’s revolutionary 96kHz XCVI FPGA engine. Created to excel in demanding scenarios such as AV, corporate events, live productions and houses of worship, SQ-7 offers pristine high-resolution audio quality and an ultra-low latency of <0.7ms. The console features 32 exceptional onboard mic preamps, plus 8 stereo FX engines with dedicated stereo return channels and access to the renowned RackExtra FX library.

Main Features Include:

  • 96kHz FPGA processing
  • 48 Input Channels
  • DEEP Processing ready
  • 33 Faders / 6 Layers
  • 12 Stereo mixes + LR
  • 3 Stereo Matrix
  • 8 Stereo FX Engines + dedicated stereo returns
  • 7” capacitive touchscreen
  • SLink port for remote audio / expansion
  • 64ch I/O Port for audio networking
  • 32×32 USB audio interface
  • SQ-Drive direct recording to USB
  • AES output
  • Chromatic channel metering
  • Integrated LED illumination
  • Dedicated physical controls
  • 16 Assignable SoftKeys
  • 8 Assignable Soft Rotaries
  • Channel LCD displays

Technical Specifications:

  • Width x Depth x Height: Desk mounted 804 x 514.9 x 198 mm (31.7" x 20.3" x 7.8")
  • Unpacked weight: 17.8 kg (39.3 lbs)
  • Packed weight: 21.9 kg (48.3 lbs)

Ashly Audio digiMIX18


The digiMIX18 is a digital mixing solution that maintains all key features of the digiMIX24 in a more compact, rack-mountable model. It offers 18 inputs and 12 output buses (18x12) and maintains the same powerful real-time live control that give users instant access to all major functions.

Main Features Include:

  • Precision Alps motorized 100mm fader
  • Responsive, 7" color LCD touchscreen for graphical viewing, assign, and setup
  • FREE iPad App for wireless remote control
  • EZ-Mode for secure, simplified touchscreen or iPad control with EZ-Mode mixer
  • Ships as desktop console, rack rails included
  • 16 low noise microphone preamps with dedicated trim controls, +48V phantom power, phase invert
  • Gain-sharing automixer
  • Stereo AUX sends for stereo monitors
  • 2 dedicated line-level inputs
  • TRS inserts on channels 1-8
  • 8 AUX sends, 6 DCA for fader or mute groups
  • 2 internal stereo FX with fully editable reverbs, delay with tap tempo, tremolo, flange, and chorus
  • Pan control
  • High resolution delay (0.2mS) on every input, AUX, or FX
  • Expander/noise gate on every input and FX channel
  • Comp/limiter on every input, output, and FX channel
  • 4-band parametric/shelving EQ filters plus HPF/LPF on every input, output, and FX channel
  • 31-band Graphic EQ on main and AUX outputs
  • Stereo link for adjacent inputs and AUX outputs
  • Solo/PFL on every input, output, AUX, or FX
  • Stereo main outputs on XLR and phone jack with dedicated level control
  • Headphone and control room outputs with dedicated level controls
  • User presets for Scene, DSP channel, FX or GEQ settings, plus channel copy function
  • 24-bit A/D and D/A converters, 32-bit DSP processing, 48kHz sampling rate
  • Internal 100-240VAC universal power supply

Technical Specifications:

  • Microphone Input Class-A Discrete Balanced, 7.3k Ohm Input Impedance
    • Frequency Response to Main Output: 20Hz – 20kHz, +0.0/-0.5dB
    • Distortion (THD&N) to Main Output: <0.01% at 0dBu, 20Hz – 20kHz
    • Equivalent Input Noise: -126dBu, unweighted, 20Hz – 20kHz, 150 Ohm source
    • Gain (Trim): 0 dB – +50dB
    • Maximum Input Level: +20dBu, balanced
    • Phantom Power: +48VDC, 14mA per channel, assignable to channels 1-16
  • Weights and Dimensions
    • Unit Dimensions: 19.3"L x 5.65"W x 14.0"H (486 x 144 x 356 mm)
    • Shipping Dimensions: 22.0"L x 8.15"W x 17.1"H (559 x 207 x 434 mm)
    • Unit Weight: 17.0 lbs (7.7kg)

Cadac CDC seven-s


The Cadac CDC seven-s is the new flagship console in Cadac’s digital lineup. It is not only physically larger than its sister consoles, the CDC six and five, but it also has a greater channel count, with 128 input channels and a configurable bus count of 56. It shares the same operating system and feature set as its smaller siblings meaning that show files can run across all three.

Main Features Include:

  • Classic Cadac Mic-pres
  • Sub 0.4 millisecond latency from analogue inputs on stage to analogue outputs on stage
  • Automatic latency management system
  • 128 input channels
  • 64 busses, 56 are assignable as Group, Stereo Group, Aux, Stereo Aux or Matrix
  • Unique Cadac Monitor Mode
  • Custom Fader Layers
  • 4 band fully parametric EQ
  • Extensive dynamics
  • 16 VCA groups including ‘VCA unfold’ navigation
  • 16 assignable buttons with OLED displays
  • 16 stereo on-board effects
  • 31 band graphic equaliser on all outputs as well as 4 band fully parametric EQ
  • Compressor/limiter on all outputs
  • Input and output delays
  • Snapshot automation system with Cue Ripple and Cue Preview
  • Dugan Automixer post fade Insert for Waves

Technical Specifications:

  • General Specifications CDC Seven
    • Faders: 36 x 100mm motorised faders
    • Screens: 2 x 23.5" 16:9 HD + 1 x 6.5" Touchscreens
    • PSU: 1 x external 19" 2U rackmount PSU
    • Inputs: Up to 192 (inc local I/O)
    • Channels: 128 with full processing
    • Busses: 56 configurable in pairs as group/aux/st aux plus dedicated LCR, monitor LR, headphones LR and talkback
    • Matrix: Up to 67 x 48 with full processing
    • Outputs: Up to 192 (inc local I/O)
    • Graphic EQ: 32 band +/-16 dB on all 55 outputs
    • Internal FX: 16 high-resolution 96 kHz stereo effects processors
    • Local IO: 8 x XLR Mic Inputs (inc 48 V, PAD and 1 dB gain steps), 8x XLR Balanced outputs, 4 x XLR AES/EBU inputs and 4 x XLR AES/EBU outputs
    • Comms: 2 x Cadac MegaCOMMS
  • Audio Specification
    • Sample Rate: 96 kHz
    • Processing Delay: Sub 0.4 millisecond latency through complete signal chain
    • Internal Processing: 40-bit floating point
    • ADC/DAC: 24-bit
    • Frequency Response: 20 Hz to 44 kHz + 0.5 / -1.5 dB
    • THD+N: better than 0.005% @unity gain, 10 dB input at 1 kHz
    • Channel Separation: better than 90 dB
    • Residual Output Noise: < -90 dBu (20 Hz - 20 kHz)
    • MIC EIN: < -127 dB with 200 Ohm source impedance
    • Maximum Output: 21 dBu
    • Dimensions: 1555.7mm wide x 766mm deep x 259.12mm height
    • Weight: 60kgs / 132lbs (approx)

Cadac CDC seven-s


Main Features Include:

Current Issue : January - February 2023
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