Current Issue : May-June 2025
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Articles May-June 2025

The Making Of A Tour: Conversation With Warren D'Souza, SOUND.COM New!

Warren D'Souza of SOUND.COM shares insights into India's evolving touring scene, highlighting logistics, teamwork, and artist-focused sound execution. read more

Genelec Defines Precision Across Mumbai's Music Production Landscape New!

Zacs and Phils transform St. Joseph Church with a modern audio system that enhances worship through clarity, precision, and reverence read more

Mega Sound Delivers Unparalleled Audio at Lollapalooza India 2025 New!

Mega Sound delivered flawless, large-format audio for Green Day and Shawn Mendes at Lollapalooza India 2025 using cutting-edge technology. read more

Inside The Coldplay Spectacle New!

BookMyShow Live's Shipra Venkatesh leads a world-class stadium production with large-scale system integration, power distribution, and advanced rigging. read more

Technical Precision: J Davis Prosound & Lighting Supports Live Acts New!

J Davis Prosound & Lighting and Graflex Inc. deliver world-class technical production for major live acts touring across India. read more


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DLIVE TAKES CENTRE STAGE AT BACARDI NH7 WEEKENDER


Allen & Heath’s digital mixing system was employed on the main stage of the Bacardi NH7 Weekender which was recently held at RBDSA Sports Complex in Shillong, India. The annual multi-city festival is one of the largest music festivals in India which hosts emerging local artists along with major international acts.

Since the inception of the event, PA company, Sound & Light Professionals has managed the sound reinforcement for the main stage. To meet the technically diverse demands for monitoring on stage, the company deployed its recently purchased dLive S7000 Surface and DM64 MixRack supplied by Allen & Heath’s Delhi-based distributor, Sun Infonet.

Madhur Hastikar who served as the band mix engineer during the set of Farhan Akhtar’s act said, “This was my first experience using dLive and there are several features about the board which really stand out. Firstly, the headroom is simply remarkable and also the dual Touchscreens make the GUI very intuitive to the average user. The rotary controls feel very responsive similar to that of an analogue desk which makes dialling parameters or gain a lot smoother.”

Manish Mavani, Owner, Sound & Light Professionals concluded, “With dLive, my team was confident it would be able to cover each section of the stage.”


Current Issue : May-June 2025
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