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Articles May-June 2025

The Making Of A Tour: Conversation With Warren D'Souza, SOUND.COM New!

Warren D'Souza of SOUND.COM shares insights into India's evolving touring scene, highlighting logistics, teamwork, and artist-focused sound execution. read more

Genelec Defines Precision Across Mumbai's Music Production Landscape New!

Zacs and Phils transform St. Joseph Church with a modern audio system that enhances worship through clarity, precision, and reverence read more

Mega Sound Delivers Unparalleled Audio at Lollapalooza India 2025 New!

Mega Sound delivered flawless, large-format audio for Green Day and Shawn Mendes at Lollapalooza India 2025 using cutting-edge technology. read more

Inside The Coldplay Spectacle New!

BookMyShow Live's Shipra Venkatesh leads a world-class stadium production with large-scale system integration, power distribution, and advanced rigging. read more

Technical Precision: J Davis Prosound & Lighting Supports Live Acts New!

J Davis Prosound & Lighting and Graflex Inc. deliver world-class technical production for major live acts touring across India. read more


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PRESONUS Launches Eris E7 XT




PreSonus announced the launch of the Eris E7 XT, making it the latest member to join the Eris family.

Eris E7 XT is designed for moderate-size and some mid-large studio spaces. With a 7-inch woofer and 1.25-inch silk dome tweeter, E7 XT’s voice is significantly more powerful and richer than that of the smaller speakers in the Eris Series. Featuring the same 140W of Class AB bi-amped power as the E8 XT, the E7 XT can deliver tight, focused bass down to 42 Hz despite the compact form factor. Moreover, just like the E8 XT and E5 XT, Eris E7 XT is equipped with PreSonus’ custom Elliptically Boundary Modeled waveguide, which enables it to be clearly and accurately heard across a wide 100 degree “sweet spot” with a focused 60˚ in the vertical to minimize desk reflections and maximize performance.

Like the E8 XT and E5 XT, the E7 XT is flexible, offering acoustic tuning controls that enable it to adapt the voice to the room’s response and to placement close to walls or corners, and it accepts input via XLR, TRS, and RCA connections.

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