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Articles May-June 2025

The Making Of A Tour: Conversation With Warren D'Souza, SOUND.COM New!

Warren D'Souza of SOUND.COM shares insights into India's evolving touring scene, highlighting logistics, teamwork, and artist-focused sound execution. read more

Genelec Defines Precision Across Mumbai's Music Production Landscape New!

Zacs and Phils transform St. Joseph Church with a modern audio system that enhances worship through clarity, precision, and reverence read more

Mega Sound Delivers Unparalleled Audio at Lollapalooza India 2025 New!

Mega Sound delivered flawless, large-format audio for Green Day and Shawn Mendes at Lollapalooza India 2025 using cutting-edge technology. read more

Inside The Coldplay Spectacle New!

BookMyShow Live's Shipra Venkatesh leads a world-class stadium production with large-scale system integration, power distribution, and advanced rigging. read more

Technical Precision: J Davis Prosound & Lighting Supports Live Acts New!

J Davis Prosound & Lighting and Graflex Inc. deliver world-class technical production for major live acts touring across India. read more


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Avantone Pro Launches CLA-200 Studio Reference Amplifier


Avantone Pro has announced the availability of its complimentary Class A/B CLA-200 studio reference amplifier.

Avantone Pro’s CLA-200 studio reference amplifier is a dynamic, high-resolution, full-range system built the old school way. “Working with Grammy Award-winning mix engineer Chris Lord-Alge — whose signature is boldly blazoned across the CLA-200’s no-nonsense front panel, particular care was taken to create an amplifier in the traditional studio style, with generous VU meters, Japanese components, and a toroidal transformer linear power supply.” Company states.

The CLA-200 is designed to be used in a studio environment requiring high-power output with no fan noise. It offers a quoted 20Hz-20kHz +/- 0.5dB frequency response; 200W at 8 ohms, 300W at 4 ohms, or 500W bridged into 8 ohms output power; <0.05% distortion; >94dB signal-to-noise ratio; 20KΩ (balanced) and 10kΩ (unbalanced) input impedance; 28V/us slew rate (at 1KHz); 0.775V (0dBU) input sensitivity (1KHz); <0.1% total harmonic distortion (1KHz); <0.1% intermodulation distortion (at 10% rated power 1KHz); -70dB crosstalk; 200W 8Ω stereo power (1KHz); 300W 4Ω stereo power (1KHz); and 500W 8Ω bridge power (1KHz).

Chris Lord-Alge, said, “I have mixed 20,000 songs on my classic studio monitors and they have become my companions and part of what I do. They are truly the sound of hits. Every good pair of monitors needs a powerhouse of an amplifier to give you clear results. So now, thanks to Avantone Pro and the ears of CLA, we’re making available for the first time the return of a classically-designed amplifier for your studio. No longer do you need to take a chance on something used, old, and unreliable — the CLA-200 is here.”


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